I started to wear make-up because it was necessary for me to live out my life getting up, going to work, buying food and going home again, so that someone could be seen to be homosexual and to be part of life.
This quote, following the screening of his acclaimed work The Naked Civil Servant, encompasses Quentin Crisps attitude to his appearance and homosexuality – it was vital to his individuality, something on which he refused to compromise.
Throughout his life Crisp was a controversial figure; within the gay community he was not liked by everyone. However, his contribution to the gradual acceptance of openly gay men is universally acknowledged.
Born Denis Charles Pratt in 1908 in Sutton, then part of Surrey, he was the fourth child of Charles and Frances Pratt, a solicitor and a former governess.
Attending Kingswood Preparatory School in Epsom, Crisp was mercilessly teased for his effeminate behaviour. In 1922, he won a scholarship to Denstone College, near Uttoxeter, and on leaving in 1926, studied journalism at King’s College London. Failing to graduate, he then took art classes at the Regent Street Polytechnic.
Leaving home to move to central London at the end of 1930, Crisp adopted his new name and cultivated an effeminate appearance that shocked many and provoked homophobic attacks.
Crisp attempted to join the army at the outbreak of the Second World War but was rejected and declared exempt by the medical board on the grounds that he was ‘suffering from sexual perversion’. He left his job as engineer’s tracer in 1942 to become a model in life classes in London and the Home Counties. He continued posing for artists into the 1970s. “It was like being a civil servant,” he explained in his autobiography, “except that you were naked.”
Fame, acceptance and America
Crisp became a gay icon after the publication of his memoir, The Naked Civil Servant (1968), brought his exhibitionism and refusal to remain in the closet to the attention of the general public. In 1975, a film adaptation of The Naked Civil Servant was broadcast on British and American television making both actor John Hurt and Crisp household names. Crisp declared himself one of the great stately homos of England.
Afterwards Crisp developed a one-man speaking show that toured Britain but he still felt like an outsider. In 1981, Crisp moved to New York where, experiencing a fuller sense of social acceptance, he continued his one-man show, An Evening with Quentin Crisp.
During his extraordinary life Crisp wrote a number of influential, controversial and provocative works, and acted in a variety of television dramas, films and stage plays, the last being the film Orlando with actress Tilda Swinton.
Just short of his 91st birthday, Quentin Crisp died in November 1999, in Manchester on the eve of a nationwide revival of his show. With a minimum of ceremony his body was cremated and his ashes flown back to the US and scattered across his beloved Manhattan.
Classic Crisp quotes:
The British do not expect happiness. I had the impression, all the time that I lived there, that they do not want to be happy; they want to be right.
Never keep up with Joneses. Drag them down to your level. It’s cheaper.
Life was a funny thing that happened to me on the way to the grave.
The poverty from which I have suffered could be diagnosed as Soho poverty. It comes from having the airs and graces of a genius and no talent.
If at first you don’t succeed, failure may be your style. It’s no good running a pig farm badly for 30 years while saying, ‘Really, I was meant to be a ballet dancer.’ By then, pigs will be your style.
It is explained that all relationships require a little give and take. This is untrue. Any partnership demands that we give and give and give and at the last, as we flop into our graves exhausted, we are told that we didn’t give enough.
Is not the whole world a vast house of assignation of which the filing system has been lost?
There are three reasons for becoming a writer: the first is that you need the money; the second that you have something to say that you think the world should know; the third is that you can’t think what to do with the long winter evenings.
When I told the people of Northern Ireland that I was an atheist, a woman in the audience stood up and said, ‘Yes, but is it the God of the Catholics or the God of the Protestants in whom you don’t believe?
Nothing more rapidly inclines a person to go into a monastery than reading a book on etiquette. There are so many trivial ways in which it is possible to commit some social sin.
Quentin Crisp (1908-1999),
Author, actor and LGBT history icon